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The 20 biggest mistakes in the history of the music industry

20 Biggest Record Company Screw-Ups of All Time :: Blender.com


... The Vinyl Solution
#19 The industry kills the single—and begins its own slow demise
In the early ’80s, the music industry began to phase out vinyl singles in favor of cassettes and later, CDs. Then, since it costs the same to manufacture a CD single as a full album, they ditched the format almost altogether. But they forgot that singles were how fans got into the music-buying habit before they had enough money to spend on albums. The end result? Kids who expect music for free. “Greed to force consumers to buy an album [resulted] in the loss of an entire generation of record consumers,” says Billboard charts expert Joel Whitburn. “People who could only afford to buy their favorite hit of the week were told it wasn’t available as a single. Instead, they stopped going to record shops and turned their attention to illegally downloading songs.”
Unintended consequence The Eagles still top the album charts.

Come Back, Kid
#18 BMG dumps Clive Davis, begs him to return
In 2000, when company retirement policy deemed Clive Davis too old to run Arista, the label he’d founded 25 years earlier, he was pushed out the door in favor of Antonio “L.A.” Reid. After loud public complaints from artists including Whitney Houston and Carlos Santana, parent company BMG was shamed into giving Davis a nice going-away present—his own label, J Records, along with a $150 million bankroll. Ironically, while J spawned hits from Alicia Keys, Luther Vandross and Rod Stewart, Arista reportedly chalked up hundreds of millions in losses. In 2002, BMG forked over another $50 million to buy J, then two years later ousted Reid and hired a new CEO of BMG North America: an ambitious young turk named Clive Davis
Unintended consequence Rod Stewart’s The Great American Songbook, Volumes I-IV

Dim Bulb
#17 Thomas Edison disses jazz, industry standards
America’s most famous inventor, and the creator of the phonograph, also had his own record label: National Phonograph Company, later Edison Records. Naturally, it was the biggest one around at first but made two fatal errors. One was that Edison Records worked only on Edison’s players, while other manufacturers’ conformed to the industry standard and worked interchangeably. The other was that Edison let his personal taste govern Edison releases—and he hated jazz: “I always play jazz records backwards,” he sniffed. “They sound better that way.” So after releasing the world’s first jazz recording—Collins and Harlan’s “That Funny Jas Band From Dixieland”—the company spurned the craze in favor of waltzes and foxtrots. Edison Records folded in October 1929.
Unintended consequence Edison adds “tin-eared A&R” to his list of inventions.

Double Jeopardy
#16 Warner pays for Wilco record twice
When Wilco handed over their album Yankee Hotel Foxtrot to Reprise in June 2001, acting label boss David Kahne—best known for producing Sugar Ray albums—reportedly thought it was “so bad it would kill Wilco’s career.” The band refused to make changes, so Reprise handed them their walking papers—and the masters to the album. A few months later, Wilco signed with Nonesuch, which, like Reprise, was a subsidiary of AOL Time Warner, meaning that after shelling out roughly $300,000 to make YHF in the first place, the corporation was now paying for it again. The record remains Wilco’s best seller to date.
Unintended consequence Jeff Tweedy’s poetry collection is published in 2004. ...

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